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Pilgrim, priest and ponderer. European living in North East England. Retired parish priest, theological educator, cathedral precentor and dean.
Showing posts with label journey. Show all posts
Showing posts with label journey. Show all posts

Wednesday, 28 May 2014

A Danube Journey Day 1: arriving at Budapest

I hope I don't regret this. I am posting a day by day blog of our recent cruise through Central Europe up the River Danube. We began in Budapest and ended in Nuremberg from where we travelled overland to Prague. This was a long-planned holiday organised by a well-known touring company. I wrote this blog as we travelled, without checking facts or sources. It is pure stream-of-consciousness. If you have done a similar journey and visited the places I describe, you may like to compare notes. I've tried to reflect as well as describe, for travel has a wonderful way of raising questions; but inevitably it will feel rough-hewn and perhaps a bit hasty. So much for the health warning. Here goes with Day 1. 

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We can see the Danube as the plane comes in to land at Budapest. It swings round to the south in a great loop, the Danube Bend, having travelled from west to east since its birth in the Black Forest many hundreds of miles from here.

First impressions of a strange country begin at the airport. For the nation's capital, Budapest airport is surprisingly intimate: more like Newcastle than Birmingham or Manchester, let alone Heathrow. I notice the signs - bilingual of course, but what a language Hungarian is: all those consonants, and accents in strange places. There are no etymological landmarks, no familiar roots by which to triangulate and work out meanings. They say it's one of the most difficult languages in the world, like Basque, Turkish, or Finnish (to which it is related). By contrast, in downstream Romania, they speak the debased Latin of a former Roman province - easy enough to get by, they say, if you have a smattering of French or Italian.

We are rounded up and shepherded into a couple of buses. The drive into the city centre takes us  through the kind of colourless suburbs you come to expect in post-Soviet bloc countries. It reminds me of Moscow, whose vast banlieue seemed twenty years ago to be leached of vitality, where it was hard not to think that daily life was unremittingly hard work. 

Our courier gives us an informative whistle-stop tour of the history and culture of Hungary. The thrust of it is the extent to which these lands have been subject to the domination of others - centuries of Mongol, Ottoman and Hapsburg rule. There was a brief taste of freedom following the end of the Great War, but then the regime unwisely allied itself with the Axis powers and found itself under the the jackboot of the Third Reich. The Nazis invaded in 1944. Budapest suffered badly, especially its Jewish population. The Soviet era and the Cold War followed, and only in 1990 did Hungary once again become its own nation, a modern democratic republic and, since 2004, a member of the EU. Somehow, the suburbs wear this sense of exhaustion after a long, depressing history. 

Yet the centre comes as a beautiful surprise. Here there is liveliness, a sense of history, a palpable  intellectual and cultural presence, noble buildings (on a truly grand scale) and above all the river itself. I've read that of all the cities on the Danube, Budapest is the one that most takes the river to its heart and has organised its life around it. That feels like a good reason for starting our journey here. 

So we embark on the Regina Rheni II. (I almost said Regina Coeli - after all it is Eastertide.) She is tethered alongside a boulevard where there are trams, and a park, and what looks like a contemporary arts centre that reminds us of the Sage in Gateshead, and people out running and strolling and playing with their children in the evening sunshine. These river cruise ships are not huge compared with the immense vessels that ply the seas carrying upwards of a thousand passengers - we are only 150 so it is all quite intimate by comparison - but she is still a long ship, 110 metres, low-slung and sleek. Why the 'Queen of the Rhine' rather than the Danube? Because she was built and is registered in Holland, and works the entire length of the journey across the watershed of Europe from here to the North Sea via the Main Canal and the Rhine.
 
We find we have been upgraded to a cabin on the top deck. Such things rarely happen to us, so it is a nice surprise. Can they have known that we are celebrating our ruby wedding? It seems not: there has simply been some problem with a damp carpet in the cabin we were allocated. At dinner, there is the usual awkwardness of introductions: who we are, where we come from etc., all carefully establishing the rules of engagement of this new-formed floating community. We discuss the routines and rituals of shipboard life. Some cognoscenti do this kind of thing regularly and know the ins and outs of cruising etiquette. They compare travellers' tales about the Rhine, the Rhone, the Volga and the Nile. No one on our table has done the Danube before, so we cruising virgins are on the same deck as our fellow-travellers as far as the river itself is concerned. 

As we gather in the lounge for the introductory briefing, there is an excited babble of conversation. The meeting strikes an upbeat note, because it is obviously required that holidaymakers be cheerful, but with overtones of the school trip thrown in. Are there hints that managing a crowd of more mature adults with differing levels of physical ability can have its challenges? We are promised partying the next day. My introvert side starts protesting. I wonder how I shall cope with the bonhomie of it all. 

We are assigned to a table where we shall have our main meals with the same companions throughout the week's voyage. This is where the hazards of cruising are greatest, where real trepidation is felt. No planning goes into the lottery of table allocation, no checking of compatibility. How do you know if you can sustain polite, let alone interesting or stimulating, conversation at lunch and dinner day after day with people you have never met, with whom you are randomly thrown together at the whim of the restaurant floor manager? Time alone will tell. 

Monday, 30 September 2013

Farewell to the Lindisfarne Gospels

It's past ten o’clock on the last day of September. The doors of the Lindisfarne Gospels exhibition Durham have closed for the last time. 100,000 people have passed through them in the last three months. Many have spoken about how inspired and delighted they were by what they saw. I want to pay tribute to colleagues at Durham University and here at the Cathedral who have worked so hard to make this summer such a huge success.

The Cathedral worked closely with the University on this project, and as Dean I served on the project board. We were clear that we wanted the Gospels to come back not simply to Durham but to the North East. And this is one of the great achievements of the summer. It has seen an amazing outburst of creativity right across the region with local communities entering into the spirit of the visit with great enthusiasm. There have been celebrations of the Gospels’ art and design, their place in English civilisation and in the history of the book, their symbolism for the North East’s identity and character. Was ever a book so much loved and welcomed back to its historic homeland?

Local churches have played a leading part in this celebration of our Christian heritage. At its heart, this has been an invitation to discover the gospel message in the four gospels. There have been study groups, public readings of the gospels, special acts of worship, pilgrimages to places associated with the saints of the region, lectures and talks, exhibitions and displays, temporary art, street theatre, creative play and themed entertainment.  This has stimulated adults and children not only to learn about their heritage but to read the gospels with a new awareness. The Cathedral has welcomed thousands of people to its own lively programme of events throughout the summer, culminating in an unforgettable flower festival to celebrate the Lindisfarne Gospels, the northern saints and our life together in the North East today.  A Roman Catholic newsletter spoke about how the Cathedral was rising to the challenge of using the Gospels’ visit in an evangelistic way. That pleased us because it recognised the true nature of the ‘gospel-work’ we were trying to do.

Yesterday, I went to Holy Island to preach on the last Sunday of this summer of celebration. It is always moving to walk where Cuthbert walked and pray where he prayed. To do this while the Lindisfarne Gospels were in his native Northumbria added its own richness to the experience.  I spoke, as I have done all summer, about why this celebration should matter to us, and what we have learned about the Manuscript, the Man in whose honour it was written, and the Message of the Gospel Book both then and now. 
I said that what the summer has helped us to do is to understand this great book in the setting of Saxon Christian Northumbria, and specifically, Cuthbert’s shrine. This linkage was fundamental to its meaning throughout the middle ages: it would have been unthinkable to separate the saint from his book. Severed from this environment, it acquired different linkages and has come to be read in new contexts. It’s not that these are less 'valid' than the original Cuthbert context. But the intellectual case for bringing the Gospels back to Durham was to enable us to hear them speak with their original northern accent once again.

In the south aisle of the church on Holy Island stands Fenwick Lawson’s powerful sculpture ‘The Journey’. It shows the monks of Cuthbert’s community carrying his body (and by implication the Gospels) on its 120 year journey that would end on the peninsula of Durham. I thought about the journey the Gospels had made to come to Durham and be reunited with their saint, and how it was now time for them to make the return journey back to London.  The Gospels have always travelled; now they are setting off on yet another valedictory journey. We all hope they carry a return ticket.

On Palace Green tonight, I talked to one of the security guards who had done duty outside the library during these three months. He told me how much it had meant to him to be doing his bit to care for this precious book, how sad he would be to see it go.  Like Cuthbert, the Lindisfarne Gospels touch ordinary lives in ways that are both moving and inspiring.  They have certainly touched mine.