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Pilgrim, priest and ponderer. European living in North East England. Retired parish priest, theological educator, cathedral precentor and dean.
Showing posts with label Haydon Bridge. Show all posts
Showing posts with label Haydon Bridge. Show all posts

Sunday, 16 August 2015

Retirement: an interim report from Haydon Bridge

Six weeks to go, give or take: retirement is charging down the slipway. 40 days - the same as Lent. But the prospect sometimes feels more like Lent wound back in reverse, as if retirement day, far from being some kind of Easter, is more like Ash Wednesday, a day to mourn and give things up.

No point in pretending: there will be so much to lose. It's not just the life and worship of this wonderful community here at Durham Cathedral. It's the end of forty years of full-time stipendiary ministry as 'clergy'. Not the end of priesthood, of course - that vocation is till death us do part. But it will mean the end of the way I have been called to exercise it over four decades. And that's symbolised by the names of the places where I've been privileged to minister during that time - Oxford, Salisbury, Alnwick, Coventry, Sheffield and Durham. So many memories. So much learned. Such a rich time of gifts. Yes, there have been periods of struggle and pain too. But at such dark times, these places and their people have been compassionate, wise and forgiving. They have been wise teachers. I owe them a great deal.

But as we always say at Lent, 'giving up' creates space to offer life in new ways, be open to new opportunities. 'New lamps be lit, new tasks begun' says George Bell's hymn. That's the entire point. And this weekend I've begun to glimpse this in a new way. We've spent 48 hours in Northumberland, Haydon Bridge where we shall retire, beginning the long process of turning a house into a home. It's hard work to dismantle one home, especially when you've been happy there, and start to build another. But for the first time I began to glimpse what new gifts await us as we let go of the old.

I'm thinking of simply homely things. A neighbour invites us in for coffee. The Vicar and his family call in with a bottle of wine and a welcome card. Locals help us out in all kinds of practical ways. The folk at the pub are genuinely interested in who we are and when we'll be arriving. The church clock chimes the hours reassuringly - reliably five minutes late, just like Christ Church in Oxford. Local trains trundle over the level-crossing fifty yards away. We take a late stroll and linger on the ancient bridge across the Tyne enjoying the warmth of a summer evening. Sunlight pours into the front of the house each morning and lights up the rear each afternoon and evening. We sit contentedly on the patio drinking coffee.

As it's Sunday we go to church. It's even nearer than the railway station, indeed every bit as close as Durham Cathedral is to this Deanery. It's dedicated to St Cuthbert because his body probably lay on the site of the little Romanesque church up the hill on its long journey to Durham. Cuthbert has been our constant companion and guardian these twelve years so it's a comfort to know he is here too. Jenny and I sit together in the nave as we look forward to doing for many years to come. It's good to be 'lay' as well as 'ordained'. The Vicar presides at the liturgy with care, and preaches thoughtfully about the Living Bread and how the eucharist should shape our life together as a Christian community. Afterwards there is coffee and we meet a lot of warm-hearted friendly people. No-one needs to be told who we are or where we live. The village grapevine has done that long ago.

These are simply glimpses of the future, hints of horizons that are yet to come fully into view. Who knows what life is going to be like after September? I've learned the wisdom of Woody Allen's famous joke. 'How do you make God laugh?' 'You tell him your future plans.' On the other side of this threshold, so much is unknown, inevitably. There's no way to discover what lies beyond except by crossing it - that's the nature of a rite of passage.

We need to have good travelling companions when we cross boundaries. That's why we have farewell rituals, however much of an ordeal they are. They are a chance to say thank you, and maybe sorry, but above all to affirm the relationships that have meant so much to us and will continue to do in years to come. I won't deny that my last Sunday, 27 September, is not a day I look forward to with eagerness. My emotions will no doubt be in turmoil. But as we have all found, when our lives are offered within the life of the people of God, loss has a way of being transformed into gift, even if we don't always see it that way at the time.

So to have eaten our first meal, and slept our first night, and worshipped on our first Sunday in our future home feels like a big step forward on this strange but rather wonderful journey. Because Ash Wednesday always looks forward to Easter when life begins again.

Thursday, 13 November 2014

A Comet and a Painting: can Philae inspire us to face the apocalypse?

Regulars know that I take to blogging as a way of responding to what has stimulated my imagination. I can't complain of a lack of material this month.

1950 was a good year for Comets (the capital 'C' is meant). Late in 1949, the De Havilland prototype jet aircraft 'Comet' that some of us remember was rolled out to great acclaim. Tests began in earnest in 1950. Meanwhile in the altogether vaster arena of the Solar System, two key theories about comets were first proposed. One was the 'dirty snowball' concept about a comet's make-up; the other that comets originate in an obscure region beyond the planets in the Oorst Cloud that surrounds the Solar System. The next year, the theory that a comet's tail is caused by the solar wind acting upon it was also put forward. All three are now established as central to our understanding of what comets are and how they behave.

All this in the year I was born....

What's prompts this recollection is of course the news in the past hours that the Philae-Lander has settled on the surface of Comet 67P. While the status of the landing craft's security and functionality is not yet certain, everyone agrees that it is a momentous achievement on the part of the European Space Agency.

Two years ago, I blogged on the journeys of Voyager One and Two (it's still on this site: 28 October 2012, Now Voyager! Travelling the Solar System). These journeys to give us stupendous images of the Solar System's outer planets were already the stuff of dreams. But Philae's landing on her - and surely now our very own - comet makes Voyager seem like a sight-seeing trip. I tweeted that the bouncy landing, not at all wanted by the scientists, had something of a jump for joy about it. Maybe that echoes what many of us were feeling: the sheer exhilaration and gratitude that we are alive to see this day. I said that it would take a Thomas Hardy to do justice to the poetry of this event.

There's a metaphor here. 

I don't know whether Philae will help change the consciousness of the human race. We dared to hope as much of humanity's first steps on the Moon. We were right: extending horizons has always been a goal of human exploration not primarily as an act of colonisation or possession (whatever was intended at the time), rather enlarging the imagination and learning to see ourselves in new ways. 'Ah, but a man's reach should exceed his grasp' said Robert Browning in Andrea del Sarto: whatever else he means, it must be to do with our potential to transcend and renew ourselves, take hold of a larger vision of life; 'or what's a heaven for?'

As a person of faith, I still want to say that events like today's still have the capacity to change minds and hearts. Science is God-given, even if God isn't always recognised in scientific endeavour. But I am a lot less sanguine than I was in those heady days of the Apollo 11 landing in July 1969. When I saw today's image of a leg of Philae perched under what seemed like a rocky cliff, I didn't grasp the distortion of perspective. Simply as a photograph, it reminded me at once of something very different: those vast apocalyptic canvasses painted by Northumberland artist John Martin of Haydon Bridge (whatever had that lovely little village done to him to beget a son of such morbidity? Maybe in our retirement we'll walk the John Martin trail through the woods and gorges of the South Tyne and Allen Valleys and find out). In his darkly grand vision, human beings, all our civilisation and achievement, is depicted as transient and insignificant compared to the mountains, rocks and cliffs that rear up on all sides only to fall on and crush hapless men, women and children. See for example The Great Day of His Wrath, the third painting of his famous Last Judgment triptych. (If you Google it you'll find his paintings online.)

Why, when I saw the Philae image today, did I associate to that painting without hesitation? I think because in my mind from a few hours earlier was yet another shocking report from Syria about the plight of millions of innocent people in despair at the cruelty of their fellow human beings. Philae delights us and excites nothing but admiration, yet still there terror on every side. It's the shadow that falls across us all, even in our best, our most ecstatic moments. We are perched precariously under a huge and ominous cliff.

But then I mused: if ESA can pull off such a feat on a far-distant comet through concerted international collaboration, surely the four deadly Horsemen of the Apocalypse could be tamed if there is the will to do it? It's a stupendous ask, but as Advent approaches with its bitter-sweet themes of Death, Judgment, Hell and Heaven, the world's peoples should galvanise one another to find the same intentional energy and collaborative focus to apply ourselves to constructing a better world. People of faith are already taking a lead. We may think that the Philae-Lander mocks our inability to make any lasting difference. But I believe it can also inspire us to act collectively to save our planet and its peoples. We must make sure it does. There isn't an alternative.

Isn't this what God calls us to as we gaze on a remote comet and marvel?