Lost in Translation is a book by Eva
Hoffmann, published in 1989. She was born in Poland just after the end
of the war. Her Jewish parents had been
victims of the Holocaust who had lost family members in the death camps. They were among the few survivors of a once
flourishing Polish Jewry. Her parents
decided, like many of their generation, that there was no future for them in
Poland. So they emigrated to the new
world to make their home in Canada.
She
had a dream a few days after arriving there.
I’m drowning in the ocean while my mother and father swim further and further away from me. I know, in this dream, what it is to be cast adrift in incomprehensible space; I know what it is to lose one’s mooring. I wake up in the middle of a prolonged scream. The fear is stronger than anything I’ve ever known…. I try to calm myself and go back to sleep, but I feel as though I’ve stepped through a door into a dark place…and from then on fragments of the fear lodge themselves in my consciousness, thorns and pinpricks of anxiety, loose electricity floating in a psyche that has been forcibly plied from its structures. Eventually I become accustomed to it; I know that it comes and that it also goes, but when it hits with full force, in its pure form, I call it the Big Fear.
This
is the voice of a Holocaust survivor, in her
case of the second generation. It is the
inherited memory of the ordeals either or both parents underwent during the
Nazi Shoah. It is only recently through
psychoanalytic engagement with children of survivors that such memories can be unconsciously
transmitted to the next generation. This
‘colouring’ of life is frequently described as an unexplained shadow that
haunts existence. Although it is not restricted
to the holocaust (the memory of any terrifying experience, particularly if
endured for a long period of time, may well be inherited by children), the
events of the Shoah provide the most
extreme instance of it in the history of the west in the past century.
I
recognise an echo of Eva Hoffman’s story in myself. My mother was born into a prosperous
middle-class Jewish family in Düsseldorf.
Her father owned a thriving business in the town. He had fought for Germany in the Great War and was proud
to be an assimilated Jew in a civilised and flourishing nation. They were liberal Jews who observed Passover, did not eat pork and would not have
been seen shopping on Yom Kippur, though
they did not attend synagogue regularly.
They loved what Richard Wagner called in Die Meistersinger ‘holy German art’: it was a cultured home full of
books and paintings and music. The 20th
century was for them a time of optimism.
Then came the rise of Hitler.
Like most of their family and friends in the Jewish community that time,
they did not at first see in Nazism more than a temporary aberration from the
historical values of a great nation, a fit of madness that would soon exhaust
itself.
Almost
too late, they realised that they must act to save themselves. My grandparents fled to Holland, leaving behind
family and friends most of whom ended their days in Auschwitz. After the invasion of Holland, they went underground,
being hidden by a couple of extraordinarily courageous evangelical women in
Edam. In 1945, my uncle who had been
sent out of Germany before my mother and joined the Black Watch drove his tank
into the town square of Edam, and calling through his loud-hailer asked if
anyone knew the whereabouts of his parents.
My grandfather died shortly afterwards, broken by the war. But my grandmother lived on to a great age,
first in Holland and then in this country where she exercised a deep influence
on all her grandchildren, particularly this one. I paid tribute to her in a blog last year.
It
didn't dawn on me at once that the Holocaust was part of my own
formation. My mother had married my
father in 1947. He was an Englishman she
had met during the war. He was a
disenchanted Anglican who had discarded churchgoing along with short trousers
and model railways. He regarded religion
as a principal cause of human division and conflict, of which the war was a
recent instance. Any vestigial faith my
mother might have had was shattered by the experience she had lived
through. So I grew up in a home in which
religion was not to be spoken about: at best it was an irrelevance, at worst, malignant. But we did not speak much about the Holocaust
either. It was one of those ‘secrets in
the family’: it was simply too painful.
At times the spectre of anti-semitism would come up, and I was reminded
by my mother that as a child born to a Jewish mother, I was myself Jewish
according to rabbinic law and while this was not something to make too much of,
neither was it to be forgotten.
It
was only as I became a teenager that I became curious about my family’s story
and my own identity. Even now, I can
only say that at best it is work in progress.
For instance, I was not expecting when I first drove my family through Holland on holiday in the
1990s how moved I would be to find myself in the country that had taken in my
family when they needed asylum and kept them safe. Again, when I led a pilgrimage to Jerusalem in
2000, and we visited the Holocaust Memorial Yad Vashem, I was not anticipating that I would be incapable of speech in the
face of what overwhelmed me there, particularly the memorial to the millions of
children who perished at that time.
I
began to understand three things. Firstly,
that I was a ‘survivor’, and that it was really rather extraordinary that I was
alive. Second, that the personal history
I have been describing was for me a participation in the fragility and
dislocation that so often emerge as the dark heart of things in a broken world,
Eva Hoffmann’s ‘Big Fear’. But third,
that we must never succumb to despair: tragedy must always purify our vision
and point us towards redemption. If it
does not do this, if it does not lead to a more just and humane aspiration for
life, then the last word will have been uttered by all that is evil and
destructive.
This
is why we need Holocaust Memorial Day. In the well-known tag, if we do not
learn the lessons of history in this generation, we are doomed to repeat them
in the next....and we have: in Rwanda, Cambodia, Bosnia, Sudan and so many other places that have become part of the litany of places where innocents have been massacred not just in recent years but today. 'All it takes for
evil to triumph is for good men and women to do nothing.'
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